DiGiCo SD5 SD5B 数字调音台

DiGiCo是来自英国的知名调音台品牌，旗下的SD5、SD7、SD8调音台在中国被广泛的应用在了多个电视台，为众多节目保驾护航。
  DiGiCo SD5：作为标准调音台，SD5内置了2GB的光纤网络，可以运行多达448个通道的输出和输入（96kHz），可以通过额外的56条调音台到调音台的线连接到14台SD系列的机架，3个冗余的MADI端口使线缆可以连起来。SD5的核心是Stealth数字处理混音技术和路由引擎。基于强大的FPGA（现场可编程门序列）技术和Tiger SHARC处理器，带来最强大的动态处理和灵活的数字混音调音台。  
概况产品
 DIGICO发布了SD5，一张由英国设计和制造的全新调音台，毫不费力地革新了D5，增加了我们独特的Stealth Digital ProcessingTM和SD系列调音台都具备的先进功能。
SD5比其他型号更安静，电源供给的设计上没有那么多的风扇，相反我们使用大型的散热器取代了它，这使得SD5是我们     制造过的最安静的一款调音台。
 SD5有三个大型的触摸屏，提供了快速和简易的步骤进入到SD5功能项。调音台的中央部分设计成屏幕是嵌入式的，点击便可访问宏，快照，耳机和反馈控制。

参数
124个输入通道
·56条母线
·32个32段图示均衡
·24 stereo FX效果器
·24个VGA
·24 x 24矩阵
·24Bit/48KHz、24Bit/96K

SD5B : Overview

DiGiCo SD5B: “Intelligence is power...”

Having firmly established itself in the live arena, as with other consoles in the SD Series, British audio solutions manufacturer DiGiCo has now added a broadcast application specific extension which allows it to become the SD5B, putting this processing powerhouse firmly in the broadcast arena.

The SD5 fits directly into the shoes of the D5, the console manufacturer’s first digital mixing desk, but benefits from the advancements made possible by DiGiCo’s proprietary Stealth Digital Processing™ and floating point Super FPGA technology, which adds a host of new features and a much bigger punch.

As with the SD5, the SD5B’s worksurface is a low noise, heat dissipation worksurface benefiting from Hidden-til-lit (HTL) technology, yet its five digitally driven full colour TFT LCD screens, three of which are touch sensitive, have a new configuration that allows easy access to single or multiple users. There are also two interactive dynamic metering displays (IDM) and quick access buttons are positioned down the left side of the channel screens for fast and easy navigation.

Incorporating the master screen into the worksurface design has allowed for complete user feedback, but maintains a lower profile meter bridge. This still allows clear visibility of those on stage for the user, with everything in close reach to the mix position.

As with all SD range consoles, the SD5’s superior headroom, dynamic range and audio quality are of paramount importance and its feature set surpasses any other console in its class.

As standard, the SD5 comes with a 2Gb fibre optic system, which is capable of running 448 channels of I/O at 96kHz, plus 56 console-to-console tie lines, allowing connection to up to 14 of the SD variant racks. There are three redundant MADI ports and local I/O includes eight microphone inputs, eight line outputs and eight AES I/O (mono).      

The SD5 has 124 input channels; 56 configurable busses, plus up to 5.1 master; a 24 x 24 fixed matrix; DiGiTubes on every channel, buss and output; 24 assignable Dynamic EQ; 24 multiband compressors; 24 stereo effects; 32 Graphic EQ; 10 x 4 (40) RGB backlit macro buttons; plus the ability to add a Waves upgrade.

For broadcast applications, the SD5B also includes dual solo busses for PFL and on-air soloing in mono, stereo LCRS and 5.1 and an LR/LCR/LCRS/5.1 Master buss.

SD5B : Technical Specifications

General Specifications

• Faders 37 x 100mm touch-sensitive, motorised
• Screens 3 x 15” LCD high - resolution touch screens
• Meterbridge 2 x Custom Mounted LCD high-resolution TFT-LCD screens
• Input Channels 124
• Busses Up to 56 plus masters Aux / Group busses with full processing Mono / Stereo / LCR / 5.1 
• Matrix Up to 24 Input / 24 Outputs with full processing
• Control Groups Up to 24, selectable for VCA-style, Moving fader, Mute Group
• Graphic Eq 32 x 32-band, Gain +/- 12dB
• Internal FX Up to 24 stereo effects comprising up to 16 floating point reverbs and up to 24 delay/chorus/pitch/enhancer
• Local I/O 8 x mic/line I/O, 8 x AES I/O
• MADI interface 3 redundant interfaces, BNC connectivity
• Optic interface Fibrecast optic
• Sampling rates 48kHz / 96kHz / 192kHz (processing capabilities halved at 192kHz)
• GPI/GPO 16 as standard, expandable to 32
• Ext Sync Wordclock, AES, Video, MADI, Optics
• Physical Dimensions 1465 mm (w) x 838mm (d) x 458 mm (h)
• Weight 116Kg (233 Kg with flightcase)
• Power Requirements 90V-260V, 50-60Hz, 532VA (340W) 

Audio Specification

• Sample Rate: 48kHz, 44.1kHz or 96kHz
• Processing Delay: 2ms Typical @ 48k(60 Stereo Channels, Stage Input Through L-R Buss to Stage Output) 1.1ms @96k
• Internal Processing: Up to 40-bit, Floating Point
• A>D & D>A: 24-bit Converter Bit Depth
• Frequency Response: +/- 0.6dB (20Hz – 20kHz)
• THD: <0.05% @ Unity Gain,: 10dB Input @ 1kHz
• Channel Seperation: Better Than 90dB: (40Hz – 15kHz)
• Residual Output: <90dBu Typical
• Noise: (20Hz - 20kHz)
• Microphone Input: Better Than -126dB: Equivalent Noise
• Maximum Output Level: +22dBu
• Maximum Input Level: +22dBu

Processing Channel Specification
Input Channel

• Name: User-Defined / Presets
• Channel Selection: Mono / Stereo / Multi
• Input Routing: Main & Alternate Input
• Analogue Gain: -20 to +60dB
• Phase: Normal / Reverse
• Digital Trim: -40 to +40dB
• Delay: >1 Sec (Coarse & Fine Control)
• DiGiTuBe: Drive 0.01 - 50.0
• Bias 0 - 6
• LPF: 20 – 20kHz, 24dB/Oct
• HPF: 20 – 20kHz, 24dB/Oct
• Insert A: (Pre EQ/Dyn) On/Off
• Equalisation: 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/
  Hi Shelf, Hi/Hishelf)
  On/Off
  Freq; 20 – 20kHz
  Gain; +/- 18dB
  Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
  Dynamic EQ On/Off
  Over/Under
  Band On/Off
  Threshold; -60 – 0dB
  Attack; 500us – 100ms
  Release; 10ms – 10s
  Ratio; 1:1 – 50:1
   
• Dynamics 1: Single or Multiband (3-Band)
  
  Compressor: On/Off
  Threshold; -60 – 0dB
  Attack; 500us – 100ms
  Release; 10ms – 10s
  Ratio; 1:1 – 50:1
  Gain; 0 to +40dB with
  Autogain Option
  Link; Any Channel/Buss
  Hi Crossover; 20Hz – 20kHz
  Lo Crossover; 20Hz – 20kHz
  Knee : Hard, Med, Soft
  
  De-Esser: Threshold : 20us – 20ms
  Release : 1ms – 100ms
  Ratio : 1:1 – 50:1
  Ess-Band : Listen On/Off
  Ess-Band Filter Freq / Width: 20Hz – 20kHz
   
• Dynamics 2: On/Off
  
  Gate / Ducker: Threshold; -60 – 0dB
  Attack; 50us – 100ms
  Hold; 2ms – 2s
  Release; 5ms – 5s
  Range; 0 - 90dB
  Key; Any Source
  Key Listen
  Freq/Width; 20 – 20kHz
  
  Compressor: On/Off
  Threshold; -60 – 0dB
  Attack; 500us – 100ms
  Release; 10ms – 10s
  Ratio; 1:1 – 50:1
  Gain; 0 to +40dB with
  Autogain Option
  Link; Any Channel / Buss
  Hi Crossover; 20Hz – 20kHz
  Lo Crossover; 20Hz – 20kHz
  S/C Source : Any Source
  S/C Listen : On/Off
  S/C Filter Freq/Width: 20Hz – 20kHz
• Insert B: (Post EQ/Dyn) On/Off
• EQ/Dyn order: EQ/Dyn or Dyn/EQ
• Mute: Channel Mute / Hard Mute
• Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
• Channel Safe: Input, EQ, Dyn, Aux, Pan, Fade/Mute, Inserts, Buss, Directs,
  Full Safe
• Output Routing: Buss, Insert A, Insert B, FX
  Direct: On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB
• Fader: 100mm Motorised Fader ∞ to +10dB

Processing Channel Specification
Aux / Group / Matrix Output

• Name: User-Defined / Presets
• Phase: Normal / Reverse
• Digital Trim: -20 to +60dB
• Delay: >1 Sec (Coarse & Fine control)
• DiGiTuBe: Drive 0.01 - 50.0
  Bias 0 - 6
• LPF: 20 – 20kHz, 24dB / Oct
• HPF: 20 – 20kHz, 24dB / Oct
• Insert A: (Pre EQ/Dyn) On/Off
• Equalisation: 8 Band EQ: 4 band Parametric and 4 band parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)
  On/Off
  Freq; 20 – 20kHz
  Gain; +/- 18dB
  Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
  Dynamic EQ On/Off
  Over/Under
  Band On/Off
  Threshold; -60 – 0dB
  Attack; 500us – 100ms
  Release; 10ms – 10s
  Ratio; 1:1 – 50:1
   
• Dynamics 1: Single or Multiband (3-band)
  
  Compressor: On/Off
  Threshold; -60 – 0dB
  Attack; 500us – 100ms
  Release; 10ms – 10s
  Ratio; 1:1 – 50:1
  Gain; 0 to +40dB
  with Autogain Option
  Link; Any Channel / Buss
  Hi Crossover; 20Hz – 20kHz
  Lo Crossover; 20Hz – 20kHz
  Knee : Hard, Med, Soft
  
  De-Esser: Threshold: 20us – 20ms
  Release: 1ms – 100ms
  Ratio: 1:1 – 50:1
  Ess-Band: Listen On/Off
  Ess-Band Filter Freq/Width: 20Hz – 20kHz
   
• Dynamics 2: On/Off
  
  Gate / Ducker: Threshold; -60 – 0dB
  Attack; 50us – 100ms
  Hold; 2ms – 2s
  Release; 5ms – 5s
  Range; 0 - 90dB
  Key; Any Source
  Key Listen
  Freq/Width; 20 – 20kHz
  
  Compressor: On/Off
  Threshold; -60 – 0dB
  Attack; 500us – 100ms
  Release; 10ms – 10s
  Ratio; 1:1 – 50:1
  Gain; 0 to +40dB
  with Autogain Option
  Link; Any Channel/Buss
  Hi Crossover; 20Hz – 20kHz
  Lo Crossover; 20Hz – 20kHz
  S/C Source : Any source
  S/C Listen : On/Off
  S/C Filter Freq/Width: 20Hz – 20kHz
• Insert B: (Post EQ/Dyn) On/Off
• EQ/Dyn Order: EQ/Dyn or Dyn/EQ
• Mute: Channel Mute / Hard Mute
• Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
• Channel Safe: Trim, EQ, Dyn, Fade/Mute, Inserts, Outputs, Full Safe
• Output Routing: Outputs, Insert A, Insert B, FX
• Fader: 100mm Motorised Fader ∞ to + 10dB

 

 

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