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DiGiCo SD5 数字调音台
DiGiCo SD5 数字调音台
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  • 上架时间:2014-05-07
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DiGiCo SD5 数字调音台

SD5 : Overview

124个输入通道
·56条母线
·32个32段图示均衡
·24 stereo FX效果器
·24个VGA
·24 x 24矩阵
·24Bit/48KHz、24Bit/96K

DiGiCo SD5: “Intelligence is power...”

Remember the D5 Live? Well, the SD5 is the modern-day incarnation of that console; think the D5 Live on steroids and you're getting close! Yes, it fits directly into the D5's shoes, but thanks to the inclusion of Stealth Digital Processing, floating-point Super FPGA technology, and a host of new features, it packs a far bigger punch.  

Scratching the surface

Like the SD10, the SD5's 37 faders are laid out in three convenient banks of 12 with one master fader with the added benefit of three 15-inch full colour TFT touch screens for even quicker access and multi-user applications. In addition, there are two interactive dynamic metering displays (IDMs) as used in its big brother, the SD7.

The centrally located master screen has been incorporated into the worksurface meterbridge design to provide a lower profile meter bridge and allow for complete user feedback; this means the engineer never needs to move far from mix position: there is clear visibility of everyone on stage, and all control is less than an arm's length away.

To make life even easier, engineers can recall or save presets on the channel strip; and recall or save snapshots using the master screen or or dedicated switches on the console. In addition, special functions can be assigned and accessed instantly via the console's 40 Smart Key Macros (accessible via four layers of 10 RGB backlit keys) at the push of a button. It really is that simple.

What's under the hood?

The SD5 provides 124 processing channels at 48kHz/96kHz.

Standard channel processing, whether inputs or outputs, includes Channel Delay, Single and Multi Channel Presets, Dual insert points, Hi- and Lo-pass filters @ 24dB/octave, four-band parametric EQ (eight on the outputs) with band curve selection, Dual insert points, DiGiCo's DYN 1 (Compressor, De-esser or assignable Multi Channel Compressor) and DYN 2 (Gate, Compressor or Ducker).

The console also benefits from 24 Dynamic EQ processors, all of which can be assigned to any of the input or output channels. These powerful processors offer dynamic processing on each of the four standard parametric bands, plus there are also 24 assignable Multiband Compressors and 24 assignable DiGiTubes; and no matter how the console is set up, the user won't lose any resources, as all channels are equipped to provide the same high quality signal path and feature set.

The master section incorporates 32 gangable 32-band graphic EQs, 24 stereo effects (selectable from a palette of 33), and 24 control groups (VCAs); and using snapshots, engineers can now switch between complete configurations in any live environment easier than ever before, be it at rehearsals, during system setup, or even at a show.

In addition, we've included 56 configurable busses, all of which are assignable as mono/stereo groups or auxiliary busses; and in addition to these busses, for further configurability, we've provided a 24 x 24 output matrix, dual solo busses, and a stereo/LCR Master buss. Essentially, users have the equivalent of 87 busses of DSP at their disposal.

Unlike all other digital console manufacturers, you don't lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.

I/O

The rear of the SD5 houses all of the I/O, and there's plenty: eight mic inputs, eight line inputs, eight mono AES I/O, three redundant MADI ports, and one Optocore loop.

This amounts to an incredible 1264 I/O connections on a single optic loop with one worksurface.

In addition, there is an optional DiGiCo SoundGrid module which can be fitted to both engines for full redundancy when linked to two external PC servers such as SoundGrids or DiGiGrids. This provides the user with instant access to 16 fully integrated low-latency Waves stereo Multi Racks, each with the ability to have up to eight plugins per rack. That's 128 I/O - and as you'd expect from DiGiCo, this is all additional I/O.

All Waves compatible plugins are pre-loaded, and as this is integral within the console, you have the added advantage of touch screen control; and all shapshots and session files are saved within the console.

SD5 : Technical Specifications

General Specifications

  • Faders 37 x 100mm touch-sensitive, motorised
  • Screens 3 x 15” LCD high - resolution touch screens
  • Meterbridge 2 x Custom Mounted LCD high-resolution TFT-LCD screens
  • Input Channels 124
  • Busses Up to 56 plus masters Aux / Group busses with full processing Mono / Stereo / LCR / 5.1 
  • Matrix Up to 24 Input / 24 Outputs with full processing
  • Control Groups Up to 24, selectable for VCA-style, Moving fader, Mute Group
  • Graphic Eq 32 x 32-band, Gain +/- 12dB
  • Internal FX Up to 24 stereo effects comprising up to 16 floating point reverbs and up to 24 delay/chorus/pitch/enhancer
  • Local I/O 8 x mic/line I/O, 8 x AES I/O
  • MADI interface 3 redundant interfaces, BNC connectivity
  • Optic interface Fibrecast optic
  • Sampling rates 48kHz / 96kHz / 192kHz (processing capabilities halved at 192kHz)
  • GPI/GPO 16 as standard, expandable to 32
  • Ext Sync Wordclock, AES, Video, MADI, Optics
  • Physical Dimensions 1465 mm (w) x 838mm (d) x 458 mm (h)
  • Weight 116Kg (233 Kg with flightcase)
  • Power Requirements 90V-260V, 50-60Hz, 532VA (340W) 

Audio Specification

  • Sample Rate: 48kHz, 44.1kHz or 96kHz
  • Processing Delay: 2ms Typical @ 48k(60 Stereo Channels, Stage Input Through L-R Buss to Stage Output) 1.1ms @96k
  • Internal Processing: Up to 40-bit, Floating Point
  • A>D & D>A: 24-bit Converter Bit Depth
  • Frequency Response: +/- 0.6dB (20Hz – 20kHz)
  • THD: <0.05% @ Unity Gain,: 10dB Input @ 1kHz
  • Channel Seperation: Better Than 90dB: (40Hz – 15kHz)
  • Residual Output: <90dBu Typical
  • Noise: (20Hz - 20kHz)
  • Microphone Input: Better Than -126dB: Equivalent Noise
  • Maximum Output Level: +22dBu
  • Maximum Input Level: +22dBu

Processing Channel Specification
Input Channel

  • Name: User-Defined / Presets
  • Channel Selection: Mono / Stereo / Multi
  • Input Routing: Main & Alternate Input
  • Analogue Gain: -20 to +60dB
  • Phase: Normal / Reverse
  • Digital Trim: -40 to +40dB
  • Delay: >1 Sec (Coarse & Fine Control)
  • DiGiTuBe: Drive 0.01 - 50.0
  • Bias 0 - 6
  • LPF: 20 – 20kHz, 24dB/Oct
  • HPF: 20 – 20kHz, 24dB/Oct
  • Insert A: (Pre EQ/Dyn) On/Off
  • Equalisation: 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/
    Hi Shelf, Hi/Hishelf)
    On/Off
    Freq; 20 – 20kHz
    Gain; +/- 18dB
    Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
    Dynamic EQ On/Off
    Over/Under
    Band On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
     
  • Dynamics 1: Single or Multiband (3-Band)

    Compressor: On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB with
    Autogain Option
    Link; Any Channel/Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    Knee : Hard, Med, Soft

    De-Esser: Threshold : 20us – 20ms
    Release : 1ms – 100ms
    Ratio : 1:1 – 50:1
    Ess-Band : Listen On/Off
    Ess-Band Filter Freq / Width: 20Hz – 20kHz
     
  • Dynamics 2: On/Off

    Gate / Ducker: Threshold; -60 – 0dB
    Attack; 50us – 100ms
    Hold; 2ms – 2s
    Release; 5ms – 5s
    Range; 0 - 90dB
    Key; Any Source
    Key Listen
    Freq/Width; 20 – 20kHz

    Compressor: On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB with
    Autogain Option
    Link; Any Channel / Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    S/C Source : Any Source
    S/C Listen : On/Off
    S/C Filter Freq/Width: 20Hz – 20kHz
  • Insert B: (Post EQ/Dyn) On/Off
  • EQ/Dyn order: EQ/Dyn or Dyn/EQ
  • Mute: Channel Mute / Hard Mute
  • Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
  • Channel Safe: Input, EQ, Dyn, Aux, Pan, Fade/Mute, Inserts, Buss, Directs,
    Full Safe
  • Output Routing: Buss, Insert A, Insert B, FX
    Direct: On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB
  • Fader: 100mm Motorised Fader ∞ to +10dB

Processing Channel Specification
Aux / Group / Matrix Output

  • Name: User-Defined / Presets
  • Phase: Normal / Reverse
  • Digital Trim: -20 to +60dB
  • Delay: >1 Sec (Coarse & Fine control)
  • DiGiTuBe: Drive 0.01 - 50.0
    Bias 0 - 6
  • LPF: 20 – 20kHz, 24dB / Oct
  • HPF: 20 – 20kHz, 24dB / Oct
  • Insert A: (Pre EQ/Dyn) On/Off
  • Equalisation: 8 Band EQ: 4 band Parametric and 4 band parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)
    On/Off
    Freq; 20 – 20kHz
    Gain; +/- 18dB
    Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
    Dynamic EQ On/Off
    Over/Under
    Band On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
     
  • Dynamics 1: Single or Multiband (3-band)

    Compressor: On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB
    with Autogain Option
    Link; Any Channel / Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    Knee : Hard, Med, Soft

    De-Esser: Threshold: 20us – 20ms
    Release: 1ms – 100ms
    Ratio: 1:1 – 50:1
    Ess-Band: Listen On/Off
    Ess-Band Filter Freq/Width: 20Hz – 20kHz
     
  • Dynamics 2: On/Off

    Gate / Ducker: Threshold; -60 – 0dB
    Attack; 50us – 100ms
    Hold; 2ms – 2s
    Release; 5ms – 5s
    Range; 0 - 90dB
    Key; Any Source
    Key Listen
    Freq/Width; 20 – 20kHz

    Compressor: On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB
    with Autogain Option
    Link; Any Channel/Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    S/C Source : Any source
    S/C Listen : On/Off
    S/C Filter Freq/Width: 20Hz – 20kHz
  • Insert B: (Post EQ/Dyn) On/Off
  • EQ/Dyn Order: EQ/Dyn or Dyn/EQ
  • Mute: Channel Mute / Hard Mute
  • Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
  • Channel Safe: Trim, EQ, Dyn, Fade/Mute, Inserts, Outputs, Full Safe
  • Output Routing: Outputs, Insert A, Insert B, FX
  • Fader: 100mm Motorised Fader ∞ to + 10dB

 

DIGICO X-SD5 土豪金数字调音台 DiGiCo土豪金调音台
当DIGICO D5在2002年第一次发布时,它就牵起了一场席卷现场专业音频市场的风暴,并迅速出现在各种可能适合的演出场合中。设计师可以直接在家操控D5----它的直观、模拟风格布局、再加上数字调音台的动力和灵活性,给调音师提供了强大的自信,而越来越多的人习惯使用现场数字型的调音台。
现在,十年过去了, DIGICO发布了SD5。一张由英国设计和制造的全新调音台,毫不费力地革新了D5,增加了我们独特的Stealth Digital ProcessingTM和SD系列调音台都具备的先进功能。
SD系列中的SD10和SD7提供了舒适的操纵,而SD5是另外一款完美的选择。
作为标准调音台, SD5内置了2GB的光纤网络,可以运行多达448个通道的输出和输入( 96kHz),可以通过额外的56条调音台到调音台的线连接到14台SD系列的机架, 3个冗余的MADI端口使线缆可以连起来。
SD5比其他型号更安静,电源供给的设计上没有那么多的风扇,相反我们使用大型的散热器取代了它,这使得SD5是我们制造过的最安静的一款调音台。
SD5有三个大型的触摸屏,提供了快速和简易的步骤进入到SD5功能项。调音台的中央部分设计成屏幕是嵌入式的,点击便可访问宏,快照,耳机和反馈控制。
大型的TFT屏幕加上熟悉的隐藏式指示灯( HTL)旋转控制器以及快速访问功能按钮,使得经验丰富的用户或者那些第一次使用DIGICO调音台的用户具有容易控制调音台的能力,并且可以在很短的时间内操控。
当然,混音调音台主要是音频和两个大型交互式的数字电平表(IDM),她们提供了即时的视觉指引,包括每个通道的信号电平与压缩器和门限器的输出。
SD5也使得处理多通道音频更加轻松。从The DiGiCo SD5十年历程- 从 D5 到 SD5 5.1环绕到一个11的多通道,都没问题。(简单折叠一个通道到混音推子上,或者展开调音台界面的单个通道调整相对电平、动态或EQ。)
同样,新的溢音设置特性允许任何的通道收集,可以通过一个智能键切换到工作界面。如果您需要看乐器部分,编组控制推子和FX返回把它们分配到溢音设置和您面前的一个按钮。关闭溢音,您会回到调音台之前的状态。从D5的DSP架构到SD5的超级FPGA,还具有Stealth Digital ProcessingTM 和Tiger SHARCSTM效果芯片,通过处理通道被维护,确保音频质量。准确和音乐EQ,可控制的压缩和门限影响着音频,比如您想它怎样操作,而不只是因为那就是数字调音台的声音。
SD5比D5小得多,包含了所有调音台本身完成的处理功能。对于SD系列的其它设备, SD5与DIGICO的所有远程舞台接口箱兼容,包括SD-RACK,MINI-RACK和NANORACK。机柜连接是通过56个通道的MADI或光纤连接。这个加上调音台后面板的本地I/O使得SD5极其灵活以及可以在任何情况下快速配置。
S D 5 有 1 2 4 个 通 道 路 由 到 5 6 条 母线, DIGITUBE和DE-ESSERS在每个输入通道都可选择。 24个动态均衡器,多段压缩器和数字FX,加上32段图示均衡器和一个24×24通道矩阵, SD5是一次成功的革新。
然而,令人赞叹的不但是性能——还有它的体积。 FPGA高密度的架构和 TigerSHARC芯片意味着,整个处理引擎,能轻松地安装在SD5的操作台面下。Stealth Digital Processing™—可听的性能。
*当两个环路被连接时Stealth 数字处理引擎新一代先进的数字信号处理和音频质量SD5的核心是Stealth数字处理混音技术和路由引擎。基于强大的FPGA(现场可编程门序列)技术和Tiger SHARC处理器,给您带来最强大的动态处理和灵活的数字混音调音台。
Stealth与其他音频处理技术不同,只需要一个芯片就可以使用最大的124个输入处理通道, 56个辅助或编组母线运行到单声道,立体声, LCR或5.1, 24个矩阵和多达
24个VCA类型的控制编组。32个图示均衡器控制您的主扩或监听系统,提供令人惊叹的混响和效果阵列。
SD5采用Stealth 数字处理技术,提供一系列的延时,混响,合唱和更多功能。
然而这不仅仅是数字,Stealth数字处理引擎具有高分辨率的音频清晰度。它可以在48kHz 或96kHz 的采样率下运行,给你完整的大量同步信号通道。
S t e a l t h 让 你 充 分 利 用 8 9 6 *个 同 步 光纤, 168个MADI, 16个模拟I/O, 8个AES/EBU(单声道),使一个复杂的演出变得简单。
 
 
 
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